Difference between revisions of "The Casa/Garden Roughly"

From All The Fallen Stories
Jump to navigation Jump to search
(Created page with "You quickly walk over to her propelled by lust, but slightly detached from your body. She can only react with a small flinch when you clasp her head in your hands and draw her...")
 
Line 1: Line 1:
You quickly walk over to her propelled by lust, but slightly detached from your body. She can only react with a small flinch when you clasp her head in your hands and draw her towards your face. She has to stand on tip-toe to manage being lifted by head, she starts a small gasp before you seal your lips over her mouth. Your tong explores every surface of her mouth, inside and out. You find her form delightfully small, soft, and manipulable, but you are not satisfied.  
You quickly walk over to her propelled by lust, but slightly detached from your body. She can only react with a small flinch when you clasp her head in your hands and draw her towards your face. She has to stand on tip-toe to manage being lifted by head, she starts a small gasp before you seal your lips over her mouth. Your tongue explores every surface of her mouth, inside and out. You find her form delightfully small, soft, and manipulable, but you are not satisfied.
 
You immobilize her arms and torso by wrapping your arms around her, and twist her so you push her back into your chest. Arms left pinned uselessly at her sides you run your hands over her breasts. You take her left breast through the fabric of her dress and use it to press her shoulders into your chest. You grab her stomach and press her back into the strong erection in your jeans.  


[[category: The Casa]]
[[category: The Casa]]

Revision as of 06:28, 8 February 2018

You quickly walk over to her propelled by lust, but slightly detached from your body. She can only react with a small flinch when you clasp her head in your hands and draw her towards your face. She has to stand on tip-toe to manage being lifted by head, she starts a small gasp before you seal your lips over her mouth. Your tongue explores every surface of her mouth, inside and out. You find her form delightfully small, soft, and manipulable, but you are not satisfied.

You immobilize her arms and torso by wrapping your arms around her, and twist her so you push her back into your chest. Arms left pinned uselessly at her sides you run your hands over her breasts. You take her left breast through the fabric of her dress and use it to press her shoulders into your chest. You grab her stomach and press her back into the strong erection in your jeans.